With a renewed enthusiasm for photography and local history, I set out this blog as a record of my experiences with images and narratives. It is my hope that you find something of interest on this site. Please feel free to contact me for more information on any of the posts. You can see a comprehensive list of my blogs at my website :- http://www.davidnurse.co.uk

Another Place



Another Place is a modern sculpture by British artist Antony Gormley

It is located on Crosby Beach near Liverpool in the UK.

The sculpture consists of 100 cast iron figures.
Each figure is 6ft 2in tall (189 centimetres) and weighs 650 kilograms.

Visit Date: April 2024



Another Place by Antony Gormly. A work of art on Crosby Beach





This sculpture was first exhibited on the beach of Cuxhaven, Germany, in 1997 followed by Stavanger in Norway and De Panne in Belgium before being placed on Crosby Beach on July 1st 2005

The figures were cast at Hargreaves Foundry in Halifax, West Yorkshire and the Joseph and Jesse Siddons Foundry in West Bromwich.

Each of the sculptures has been modeled on the artist's own naked body and because of the nakedness of the sculptures they first aroused some controversy.





Another Place by Antony Gormly. A work of art on Crosby Beach
Another Place



In 2006, the local council refused permission for the statues to remain at the beach in Merseyside however this decision led to the establishment of The company Another Place Ltd which campaigned for the figures' permanent installation.




Another Place by Antony Gormly. A work of art on Crosby Beach
Click on any image for larger size



In March 2007, permission was granted for Another Place to remain at Crosby Beach permanently.

There is little doubt that these once-controversial figures have led to an increase in tourism to the beach. 




Another Place by Antony Gormly. A work of art on Crosby Beach



Describing the work Antony Gormley stated 

"I always wanted this to be an open work. The sculptures that comprise ANOTHER PLACE are not statues of ideal or heroic figures from history, they are simply copies of my own body that I used to indicate a human space in space at large."

"Another Place harnesses the ebb and flow of the tide to explore man's relationship with nature. He explains: The seaside is a good place to do this. Here time is tested by tide, architecture by the elements and the prevalence of the sky seems to question the earth's substance. In this work, human life is tested against planetary time. This sculpture exposes to light and time the nakedness of a particular and peculiar body. It is no hero, no ideal, just the industrially reproduced body of a middle-aged man trying to remain standing and trying to breathe, facing a horizon busy with ships moving materials and manufactured things around the planet".

"I can remember the day after we finished the installation in Liverpool, every single work, through its wristband, had a rose in it with a tag on it saying Make Poverty History".




Another Place by Antony Gormly. A work of art on Crosby Beach
Click on any image for larger size




The statues have been subjected to corrosion and colonization of marine animals as well as trash from the sea over the years. 

In 2012, biologists from the University of Liverpool studied the colonisation of the statues by sessile intertidal organisms, such as invasive species of barnacles.




Another Place by Antony Gormly. A work of art on Crosby Beach




Sir Antony Gormley (born 1950) is renowned for his sculptures and installations including Angel of the North 1998 and Event Horizon 2007 – 2015.



Another Place by Antony Gormly. A work of art on Crosby Beach



There is also a similar sculpture by the artist called Horizon Field.

Horizon Field was erected in 2010. The installation features 100 life-sized cast iron statues of the human body left at exactly 2,039 m (6,690 ft) above sea level in the Austrian Alps. It is the first art project of its kind erected in the Alps and the largest landscape intervention in Austria to date. The work covers an area of 150 square kilometres (58 square miles) in the Land Vorarlberg.

Although I have tried to capture the feeling of this work of art being there gives a whole new feeling of belonging. The huge area that is covered by this work. The work covers a distance of almost 3km, with the pieces placed 250m apart along the tide line, and up to 1km out towards the horizon. 




Another Place by Antony Gormly. A work of art on Crosby Beach



All the statues face out to sea.










Footer:Visit Information: -
Google Reference: -
53.49540914869752, -3.059778636907985

What Three Words reference: -
///buns.rapid.petty

OS Details: -
SD 29743 00476

Additional information.

Visiting is very easy with a large car park. (53.496091062048464, -3.0581922009735023) 

There are public toilets in the car park.







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Trethevy Quoit



Known locally as "the giant's house".

Standing 9 feet (2.7 m) high, this magnificent 5000-year-old

ancient structure consists of Six standing stones capped by a large slab.




Visit Date March 2024



Trethevy Quoit
Trethevy Quoit



Walking up to this structure, it is in a field close to some modern houses you do not get a feel of the size of this structure but as you approach the magnificence of this site overwhelms you.



Trethevy Quoit
Click on any image to enlarge



There are many of these burial sites in the UK and Cornwall has a large number of them.

Like many other portal structures, Trethevy Quoit would have been originally covered by a mound.

In the 19th century, William Copeland Borlase studied the site and made drawings of it.
A later investigation of the remnants suggests a mound diameter of almost 6.5 metres.

It is impossible to tell if stones have been removed from the site but the remaining seven stones a and an estimated 10.5-ton cover slab were inside the mound.



Trethevy Quoit
Trethevy Quoit



There are some unusual aspects of Trethevy Quoit, not only does it have 6 supporting stones forming its internal chamber, but it also has an antechamber at the 'front'. The only other Cornish quoit to boast two chambers is Lanyon Quoit.


Particularly interesting is the circular hole cut in the highermost corner of the capstone. Speculation has informed us that the hole could have been used for astronomy. The movement and settling over the millennia that have passed means it is impossible to prove, but it is peculiar and thought to be unique to this megalithic site.



Trethevy Quoit
Click on any image to enlarge



The massive capstone sits at a steep angle, and this is unlikely if this was the capstone's original position. At the lower side of the capstone, five small hollows can be found.

The entrance stone at the front in most portal structures can't be moved. however, Trevethy Quoit is a rare exception here, because a small rectangular stone moving at the bottom right of the front allows access to the chamber.

There is a rectangular cut-out at the side of the upright stone that forms the front of the main chamber it is unclear if this is a later modification of if it was used and an entrance this is not seen on any other Cornish sites.



Trethevy Quoit
Trethevy Quoit



Trethevy Quoit was first mentioned in 1584 by John Norden, in a topographical and historical account of Britain.

He described it as “A little howse raised of mightie stones, standing on a little hill within a fielde”.



Trethevy Quoit
Trethevy Quoit



In Cornish mythology, the monument is known as the Giant’s House and was believed to have been created by this fabled race.
It also like many other structures in Cornwall and indeed Wales it has links with King Arthur legend and is believed to have been magically built by Merlin.


Additional information:-
A Cromlech or Dolmen is an ancient underground tomb typically built with several large upright stones and a capstone on top. In its day, the whole thing would have been covered by a mound of earth. In some parts of the UK especially in Cornwall these structures are called Quoits.
Most date from the Late Neolithic period (4000–2000 BC)









Footer:Visit Information: -
Google Reference: -
50.493185727515105, -4.455456201119047

What Three Words reference: -
///countries.extent.nibbles

OS Details: -
SX 25936 68813 : Altitude:725 ft

Additional information.

Visiting is fairly easy although the roads become just lanes for some of the way and parking is a small car park for about three cars (50.493164985542144, -4.454975466726607) and a short walk into the adjacent field.
The approach is via the B3254 and turn off towards the village of Darite. On this road you will see the turn off for the quoit.










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The Longstone Cross (Long Tom)

 


Commonly known as "Long Tom" this stick of granite stands more than 2.5 metres (9 feet) high. 
Taking the form of a deliberately shaped standing stone, the top quarter is marked with a carved Greek cross. 
As is common with these early Christian crosses, it is likely to have been added to a much earlier standing stone after Christianity took hold in the area.

Visit Date March 2024



The Longstone Cross (Long Tom) Cornwall
The Longstone Cross (Long Tom) Cornwall



Situated on Bodmin Moor before being inscribed with the cross, Long Tom is almost certainly part of a landscape of prehistoric landmarks.
It would seem to be aligned with the three ancient circles of the nearby "Hurlers".

Regarding the carving of the cross, it was common for the early Christians to carve crosses on existing ritual sites and for the site to have been adopted for Christian rituals.



The Longstone Cross (Long Tom) Cornwall
The Longstone Cross (Long Tom) Cornwall




It is difficult often to age these stones but the carved Long Tom is thought to be at least 600 years old and possibly much older and pre-carved standing Menhir is prehistoric.




The Longstone Cross (Long Tom) Cornwall
The Longstone Cross (Long Tom) Cornwall





These crosses are quite common on Bodmin Moor with at least 35 having been found and 21 of these listed as wayside crosses. Long Tom is one of the best preserved and although many of the crosses may have been moved from their original position this is not thought to be the case with Long Tom which seems to be in its original place.


The carving on these wayside crosses found in Cornwall tend to be modeled like churchyard crosses which are often made from a single stone with a rounded wheel head with a cross carving.



The Longstone Cross (Long Tom) Cornwall
The Longstone Cross (Long Tom) North Face



In Cornwall, such wayside crosses tended to be modeled after churchyard crosses or market crosses. Most were made from a single slab of stone topped by a rounded wheel head carved with religious figures. 

Wayside crosses served a dual purpose. While they were a gathering place for Christian preaching, they also served as way-markers or signposts in a landscape that could be difficult to navigate.



The Longstone Cross (Long Tom) Cornwall
The Longstone Cross (Long Tom) South Face



The cross head is decorated with an incised carving of a cross on the north and south faces. The south face is much better preserved. 






Footer:Visit Information: -

Google Reference: -
50.508796877158495, -4.461704999304393

What Three Words reference: -
///opens.assemble.bloomers

OS Details: -
SX 25546 70560 Altitude:1016 ft


Additional information.

Visiting is very easy and parking is a small lay by on the side of the road which was completely flooded on my visit.

Long Tom can easily be seen from the road on approach.

The road is much better when approaching from the south.
On the A38 you can turn off at Doublebois and head for St Cleer / Common moor and Minions. The site is around 5 miles from here.






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Aberthaw Limeworks



On December the 22nd 1888  
'The Aberthaw Pebble Limestone Company'
 opened the lime works at Aberthaw near the coast of South Wales. 
The owner David Owen was also the  owner of the
  local newspaper 'Western Mail' which still exists today.


Visit Date August 2023



Aberthaw Limeworks
Aberthaw Limeworks


The works were primarily built to utilise the huge number of Limestone Pebbles that had previously been taken inland and were readily available.


The lime produced at Aberthaw was well known before the opening of the lime works and subsequent cement works. Experiments in 1756-7 were undertaken by John Smeaton to test the setting qualities of lime in seawater preparatory to designing and building the Eddystone lighthouse. Although Aberthaw lime was not used in the final construction of this lighthouse the fame it got from its inclusion of testing of materials to be used in the construction and its use in the actual construction of other docks, piers, harbours, ports and other lighthouses naturally led to increased demand which could not be fully met until this major new works was built.



Aberthaw Limeworks
Aberthaw Limeworks


Aberthaw Lime mixed with Pozzolana and fired produced a remarkably hard lime mortar whose quality of setting under water proved invaluable and may have been the forerunner to Portland Cement.



Aberthaw Limeworks
Click any image for a larger view


Aberthaw Lime Works ran until its closure in 1926 and is now a derelict structure.



Aberthaw Limeworks
Click any image for a larger view



The local limestone and brick structure is still largely intact however there has been some work done to preserve what is left and the structure is now a grade II listed building.




Aberthaw Limeworks
Internal image of the building



What we see today are 2 large vertical pot draw kilns that would have held up to 300 tons each and produced 40 tons of lime per day.

A tramway leading to the top of the kilns serviced the lime and coal for the kilns but this has now disappeared.

These wagons with the material would then have been winched to the kiln top by cables via a winding house which also has disappeared.

The lime would have been withdrawn from the bottom of the kilns again by trams and some of the track still exists and can be seen at the base of the kiln.




Aberthaw Limeworks - Base of kiln
Base of the kiln showing rail tracks



The surviving remains include roofless stone buildings which would have housed the crushing plant and boilers. 




Aberthaw Limeworks
One of the main buildings


Aberthaw Limeworks
Internal view of one of the main remaining buildings



The square brick chimney can still be seen and is perhaps the most iconic part seen from a distance, alongside this would have been the engine house sadly this has been demolished.

The interior of the kilns is lined with firebrick and iron doors. 
The carefully constructed stone-lined draught tunnels under the kilns can still be seen. 



Aberthaw Limeworks
Interior of kiln

Aberthaw Limeworks
Draft tunnel of kiln



Although this works closed in 1926 cement is still produced in this area about 1km north of the site, at a factory founded in 1914. It receives limestone from an adjoining quarry.

Constructed near the south Wales coast, and despite being surrounded by trees it is still quite a landmark that can be seen from the coast if one walks along the Wales coastal path.

Its location is just east of the now decommissioned Aberthaw power station, whose tall chimney in the distance can still be seen dwarfing the lime works chimney.








Looking out to sea further the cold water inlet from the power station, which looks like something from a Star Wars movie, can be seen just off the coast close by.













Footer:Visit Information: -

Google Reference: -
51.38587662515887, -3.383564003219934


What Three Words reference: -
///faced.denser.booms

OS Details: -
ST 03813 66115 Altitude:38 ft

Additional information.

Visiting is very easy but parking close is not.

The best place for this is to park in the Fontygary holiday park car park (51.38526429361768, -3.365962684286137) This park is open to visitors daily throughout the summer. It also has good facilities including a good restaurant and cafe.
From the car park you can walk down to the beach and then head west along the coast until you see the works and then join the coastal path. This would be a reasonably easy 1.6 km. WARNING: This path way is on the beach so watch for the tide times.

Alternatively go north from the car park to the top road of the park and head west. You then leave the park onto a path and then this leads down to the beach, this can by quite a climb however there are quite steep steps down to the beach but if you are mobile you can achieve this. Follow the coastal path then from the beach. This path is only on the beach for a short distance so the tides do not matter. This is slightly shorter at 1.3 km

On both these walks you will leave the beach at (51.385594477460046, -3.3807672028986824) and cross the concrete wall via the gate.




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Dyffryn Ardudwy Burial Chamber





Neolithic burial sites can be found all over Wales, the UK and across Europe.
I have visited many of these sites and have posted information on them here such as
What makes the site at Duffryn Ardudwy different is that there are two tombs close together.


Visit Date May 2023



Dyffryn Ardudwy Burial Chamber
Click on any image to enlarge.





The two dolmens are just 30 feet apart within a much bigger mound.

The chambers were built sometime between 4000-2000 BC, probably as a communal burial site. The entire monument was probably originally covered by a mound of small stones.





Dyffryn Ardudwy Burial Chamber
Click on any image to enlarge


The investigation following the excavation seems to explain that there had been two different periods of construction at the site.



Dyffryn Ardudwy Burial Chamber
The Western Dolmen


First, the smaller, western, dolmen had been put up and surrounded by an oval cairn.



The Eastern Dolmen
The Eastern Dolmen



Sometime later, a larger Eastern tomb was constructed with a trapezial design which was needed to combine both tombs.




Dyffryn Ardudwy Burial Chamber
Click on any image to enlarge


Today the site consists of an elongated oval, running up a slight slope, with one large chamber at the top eastern end of the slope and a smaller chamber beneath the branches of a tree at the lower western end. Beside the upper chamber is a solitary standing stone.




Dyffryn Ardudwy Burial Chamber
Dyffryn Ardudwy Burial Chamber


The site was excavated in 1961-2 by T.G.E. Powell. Although the tomb had been rifled, at the smaller dolmen a pit containing fragments of five Neolithic pottery vessels was found sealed by the cairn in front of the tomb.
This tomb has a small prehistoric cup-mark carved on one of its portal stones.



Dyffryn Ardudwy Burial Chamber
The Eastern Tomb



The second, larger megalithic tomb was built to the east and was set within a large, rectangular cairn which incorporated the earlier tomb. This later tomb produced both Neolithic and Bronze Age pottery.
Other finds included a fine, broken, stone pendant.


It was found necessary in 1961-62 to provide additional support for the great roofing stone on the eastern dolmen and a buttress was built on either side of the chamber for this purpose.






Dyffryn Ardudwy Burial Chamber
The Western Tomb



There is little doubt that the two tombs were built several generations apart.


Stones from this site have been used in the past as building materials and this is often the case at these sites but there is still a vast amount of stones around the site.




Dyffryn Ardudwy Burial Chamber
Dyffryn Ardudwy Burial Chamber




In his book, 'Guide to Ancient Britain' Bill Anderton writes that: “As part of an outbreak of light phenomena, columns of light were seen issuing from the ground here in 1905. 


The site stands on the Morchras geological fault.









Footer:Visit Information: -

Google Reference: -
52.78462455046947, -4.094379021652469

Google search term:
Dyffryn Ardudwy Burial Chamber

What Three Words reference: -
///bagpipes.genius.snowmen

OS Details: -
SH 58852 22835L : Altitude:141 ft

Additional information.

Visiting is very easy but parking close is not so.
First there is Station road parking (52.78834904037549, -4.097879713123781) this will be the closest and it is just a 500 metre walk back to the main road and down to the school where the marked path alongside the school takes you to the site.
Alternatively park opposite the community centre (52.78834904037549, -4.097879713123781) and the walk is just an additional 200 metres and you may then visit the friendly café in the community centre. Good coffee and a warm welcome.









A full list of blogs can be found at my website















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Bridgend, United Kingdom
A renewed interest in photography and local history.

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